Among the cultural prodigies who arose after the aviator Charles A. Lindbergh’s “hop” from New York to Paris in 1927 — hence the dance’s name — Norma Miller, known as the “Queen of Swing,” was the youngest recruit and last survivor of the original Lindy Hoppers, the Herbert White troupe that broke in at Harlem’s Savoy Ballroom and popularized the Lindy Hop in Broadway shows, on tours of Europe and Latin America, and in Hollywood films.

In the movies, she danced and sang in memorable black-cast numbers in the Marx Brothers’ “A Day at the Races” (1937) and in the madcap Olsen and Johnson comedy “Hellzapoppin’ ” (1941). She later thrived as a choreographer, comedian, television actor and author, and was honored by the National Endowment for the Arts in 2003 as a conservator of the Lindy Hop.

With her own black companies, the Norma Miller Dancers and Norma Miller and Her Jazzmen, she joined early fights to undermine segregation in the nightclubs and casinos of Miami Beach and Las Vegas, where black entertainers — even stars like Nat King Cole and Sammy Davis Jr. — drew big crowds but afterward had to leave through the kitchen and stay in segregated accommodations.

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.

After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy,[1] until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly her interpretations of the Great American Songbook.

Her accolades included 14 Grammy Awards, the National Medal of Arts, the NAACP's inaugural President's Award, and the Presidential Medal of Freedom.